“I used to think there were four elements to creating something. The first being skill, then knowledge, experience and finally a sense of beauty. Not until later in life did I realize there was a fifth element: “love”. We cannot produce large quantities. We try out new things, sometimes we succeed, other times we fail. Everything we produce is diligently made by hand, in our fast paced society. So if you wonder why I do what I do, I say: Because I love to create. Too many of the products nowadays are made without those 5 elements. But I believe in this day and age there has to be someone who passionately creates by hand. I hope you will be able to feel our values in our products. Every piece is unique, every surface feels different. Out of time, skill, knowledge, experience, our sense of beauty and love we create forms, colors and patterns.”
Hiroyuki Murase
Blue like the Sea and the Sky
Just like the skilled hands of an indigo artisan, the blue color derived from the Japanese tade indigo plant comes in various shades. The term “Japan Blue” was coined in the 19th century by a British chemist to describe the 48 hues produced from sukumo dye. It is a remarkably versatile medium, and I would like to introduce you to my fiber workshop studio in Stuart, Florida.
The Aya Fiber Studio is located in Stuart, Florida. The owner, Suzanne Connors, has been practicing the art of aizome indigo dyeing for the past 13 years. She opened her first dyeing workshop at the Fish House Art Center in Port Salerno in 2014. The studio has recently moved to North Stuart, at 170 NW Dixie Hwy. Suzanne produces stunning textiles, and the studio also serves a secondary purpose: to educate locals and travelers about traditional Japanese crafts and other fiber art genres through live workshops conducted by renowned artists.
There are several common methods for performing the aizome dyeing process. One technique uses hand-cut katagami stencils to apply a thick, dye-resistant paste to the fabric, which is then covered with sawdust. Dipping the fabric into the indigo dye creates a design that retains a high level of detail, known as katazome. Another method involves freehand painting with wax, which is a Japanese batik technique called rozome.
The most popular process for visitors at the Aya Fiber Studio is called shibori, which resembles the tie-dyeing technique many are familiar with. Students can use strings or rubber bands to bind the folded cloth, or they can fold and clamp the fabric with wood blocks. When applied at evenly spaced intervals or randomly, these resist bindings create patterns on the cloth. Due to the unpredictable nature of the dyeing process, inexperienced dyers may be surprised by the design that emerges after binding the fabric, adding an element of fun.
Visitors to the Aya Fiber Studio can participate in 1 to 5-day fiber art workshops. The studio offers shibori and indigo classes every month. After binding their cloth, participants begin the dipping process. Submerging the bundle into a vat of indigo and kneading it is a highly satisfying tactile experience. The first dip will turn the fabric a rich green color, while successive dips deepen the hue. Once the desired shade is achieved, the finishing process begins. The dyed fabric is rinsed and neutralized with a vinegar solution before being dried for participants to take home.
Taking an aizome workshop at the Aya Fiber Studio provides a hands-on appreciation for this unique and traditional Japanese craft. The studio also hosts workshops in natural dyeing, surface design, stitching, and other textile arts throughout the year. Additionally, it features a boutique gallery where visitors can purchase a variety of indigo-dyed and art-to-wear items in many shades of blue. The Aya Fiber Studio Workshop remains one of Stuart's most popular hands-on activities, appealing to students of all ages. Be sure to reserve your seats early, as space is limited and tends to sell out quickly!
Natural Dyeing of the 18th Century, in a Modern Setting: Classical Natural Dyes at your Fingertips
Create stunning colors from plans, inspired by the recipes of the old masters, adjusted to fit a modern dye kitchen.
Day one:
On the first day, you learn about the systems and economics of the 18th-century natural dye industry. Specifically in the South of France, which was the leading economic force of that century.
We learn about the master dyers of the era and their recipe books.
Practical instructions:
Correct cleaning of natural fibers
Water ratios
WOF calculations
Record keeping and building a library.
Practice and test: cleaning the materials you will be using for the rest of the trials.
Color: Learn how to set up an indigo bath
Day two
We will dye base colors of different shades of blue according to 18th-century shade cards.
milky blue
azure blue
Kings blue
You will learn how to dye correctly, and how to maintain your vat for continued dyeing.
You will learn about the mordanting process for wool, and we will mordant part of our fabric for the following steps.
Day three
The yellows
You will learn a classical mordant bath for our wool fabric.
We will create a classical weld dye bath and a buckthorn berry bath and dye our yellow samples.
We will create
Lemon Yellow
Warm Yellow
Vert Gay (cheerful Green)
Vert d’Herbe (herb green)
Day four
Going all out with Madder and Cochineal
Today you will learn how to create vibrant reds with madder
We will create Purples by over-dyeing our blue samples
We will create ORANGE by over-dyeing yellow samples
Madder red
Scarlet red
Golden Cinnamon
Violet
Lila
Day Five
Greys, taupe and more.
Learn how to reuse your dye baths and combine them with mordants to create even more stunning shades.
We will finish our dyeing and collect and cut all the samples to make your sample collection for future reference.