Up-Coming Fiberart Workshops : 2023-2024
COMING WORKSHOPS
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COMING WORKSHOPS -
The Aya Fiber Studio is pleased to invite regional, national and internationally acclaimed fiber-artists into the studio to give lectures, fiber workshops and critiques for a wide range of fiberart studio practices and techniques. These visits will provide studio students direct interaction with the artist and LIVE hands-on- learning experiences. Our intimate setting and small classes provide students with direct instructor attention.
Coming Workshops are listed by the month and the link for more info and registration is in the button below:
January 2025
PATTERNING THE PATTERN with Amy Nguyen- January 6-10, 2025
BOTANICAL PRINTING AND STITCHING with Lisa Binkley Jan 13-17, 2025
MARBLING: Eco-Friendly Fabric Printing with Natalie Stopka Jan 21-23, 2025
MAXIMUM RESIST SHIBORI: Willow, White Shadow, and More with Carole Anne Grotrian
February 2025
TRADITIONAL YORUBA BATIK -FOCUS ON MULTIPLE COLORS with Gasali Adeyemo Feb 4-7, 2024 Cancelled
INTRO TO SHIBORI and INDIGO with Suzanne Feb 3, 2025 10:00am-4:00 pm
BINDINGS AND TECHNIQUES FOR ARTIST BOOKS with Claudia Lee Feb 10-14, 2025
NATURAL DYE SEMINAR: Classical Natural Dyes Created in Modern Setting with Suzanne Feb 16-20, 2025
WHY NOT JOOMCHI? with Jiyoung Chung Feb 24-28, 2025
March 2025
3-Day Batique Techniques with Muffy Clark Gill March 3-5, 2025
SASHIKO CLASS CORE and ESSENCE + APPLICATION with Atsushi Futatsuya, March 7-9, 2025
MULTI-MEDIA FIBER with Betty Busby March 10-14, 2025
ENCAUSTIC EMBELLISHMENT EXTRAVAGANZA with Lorraine Glessner; March 17-21, 2025
GARDEN PAPERS with Mary Hark March 24-28, 2025
April 2025
INTRO TO ECO-PRINT- Suzanne Connors April 1, 2025
3 DAY BOTANICAL PRINT WORKSHOP - Suzanne Connors April 2-4, 2025
INTRO TO SHIBORI and INDIGO- Suzanne Connors April 7, 2025
RUST FUSION- Rio Wrenn April 9-11, 2025
NUNO FELT IMMERSION with Marjolaine Arsenault April 15-18, 2025
STUART STUDIO CLOSES FOR SEASON: April 25, 2025
JAPAN TEXTILE ADVENTURE- April 28- May 8, 2025
May 2025
EXTENDED JAPAN TRAVEL GROUP- May 9-20, 2025 (for participants of textile adventure)
June 2025- NC
INTRO TO SHIBORI and INDIGO- Suzanne Connors/ Wagonmaster Ranch Resort June 17, 2025
July 2025-NC
2025 BLUE IN THE MOUNTAINS INDIGO AND SHIBORI RETREAT- July 2025 (Workshops are ala carte)
SUKUMO VATTING (7/1-7/10) - KATAZOME (7/2-9) can be done alongside Sukumo Vatting- SHIBORI WORKSHOP I (7/10-7/11)
SHIBORI WORKSHOP II (7/14-7/15) -SHIBORI WORKSHOP III (7/16-7/17)- SHIBORI WORKSHOP IV (7/21-7/22)
SHIBORI WORKSHOP V (7/23-24)
KATAZOME- Japanese Paste Resist with Suzanne Connors (NC) July 2-9, 2025
August 2025-NC
INTRO TO ECO PRINT WORKSHOP in NORTH CAROLINA with Suzanne Connors Aug 11, 2025
3-DAY BOTANICAL PRINT WORKSHOP in NORTH CAROLINA WITH Suzanne Connors August 12-14, 2025
September 2025-NC
October 2025
November 2025
KATAZOME- Japanese Paste Resist with Suzanne Connors Nov 17, 2025 (STUART FL)
December 2025
ADVENTURES IN GELLI PRINTING with KEVIN WOMACK- Dec 4-6, 2025
Click on any link below to learn more or continue scrolling to see upcoming fiberart workshops! You can also click on the greyed out squares in the calendar on the upper right to see what is happening on any day!
The Year of the Snake is the year 2025 according to the Chinese zodiac. The snake is the sixth animal in the zodiac cycle. The Year of the Snake began on January 29, 2025, which was the date of the Lunar New Year.
What does the Year of the Snake mean?
The snake is said to symbolize wisdom, renewal, and transformation.
People born in the Year of the Snake are thought to be calm, rational, and strategic.
The Year of the Snake is a time to celebrate the end of winter and the beginning of spring.
How is the Year of the
Indigo is an ancient dye derived from the leaves of plants and surrounded by magic, mystery, and folklore. Discover how the leaves ‘make blue’ by learning about the character and chemistry of the natural indigo vat.
The complex chemistry of the indigo vat is fascinating and students will soon appreciate how rituals have grown around the making and using of a successful vat. The unique ‘attaching’ of indigo to fiber means it is particularly suited to resist methods of dying, such as shibori, where portions of cloth are closed off to the dye or where the flow of dye is restricted. Different shades of blue build on the fabric after several dips, exhibiting the beautiful graded hues which are so typical of indigo.
SKILLS/TECHNIQUES COVERED: Students will initially learn how an indigo vat is made. A vat will be prepared in the morning and the basic chemistry explained. The natural indigo powder will be used, and the vat will be ‘reduced’ using a commercially available chemical. While the vat develops, students will be shown several shibori techniques: a folded and clamped method, and a twisted and tied technique. Students will create all samples using Japanese tenugi fabrics
Natural Dyeing of the 18th Century, in a Modern Setting: Classical Natural Dyes at your Fingertips
Create stunning colors from plans, inspired by the recipes of the old masters, adjusted to fit a modern dye kitchen.
Day one:
On the first day, you learn about the systems and economics of the 18th-century natural dye industry. Specifically in the South of France, which was the leading economic force of that century.
We learn about the master dyers of the era and their recipe books.
Practical instructions:
Correct cleaning of natural fibers
Water ratios
WOF calculations
Record keeping and building a library.
Practice and test: cleaning the materials you will be using for the rest of the trials.
Color: Learn how to set up an indigo bath
Day two
We will dye base colors of different shades of blue according to 18th-century shade cards.
milky blue
azure blue
Kings blue
You will learn how to dye correctly, and how to maintain your vat for continued dyeing.
You will learn about the mordanting process for wool, and we will mordant part of our fabric for the following steps.
Day three
The yellows
You will learn a classical mordant bath for our wool fabric.
We will create a classical weld dye bath and a buckthorn berry bath and dye our yellow samples.
We will create
Lemon Yellow
Warm Yellow
Vert Gay (cheerful Green)
Vert d’Herbe (herb green)
Day four
Going all out with Madder and Cochineal
Today you will learn how to create vibrant reds with madder
We will create Purples by over-dyeing our blue samples
We will create ORANGE by over-dyeing yellow samples
Madder red
Scarlet red
Golden Cinnamon
Violet
Lila
Day Five
Greys, taupe and more.
Learn how to reuse your dye baths and combine them with mordants to create even more stunning shades.
We will finish our dyeing and collect and cut all the samples to make your sample collection for future reference.